Review: Grief is the Thing with Feathers (Belvoir)
Toby Schmitz is in brilliant form in a role that demands the verbal facility of a performance poet as well as access to deep feeling.
Toby Schmitz is in brilliant form in a role that demands the verbal facility of a performance poet as well as access to deep feeling.
Marina Prior leads a winning local cast in this bittersweet new musical that won five Tony awards.
In the second part of our look at the changing face of China’s arts scene, Tim Draxl, Lise Lindstrom, Dane Lam and Ivan Gil-Ortega share their experiences.
A fine piece of theatre craft breathes timely life into George Orwell’s ideas on the surveillance state and the right to privacy.
Emmanuelle Mattana's hit play exposes the roots of male privilege as private school boys gather to debate the merits of feminism.
OzAsia is back in 2025 with world premieres, cheeky cabaret, Japanese jazz innovator Hiromi and some captivating sonic experiences.
This excellent revival finds all the humour and all the heart in the outrageous, outrageously funny musical.
In a room tuned to chamber-sized work, David Williamson's Emerald City comes across as shouty and unsubtle.
Over a career spanning six decades, Henri Szeps became one of Australia’s most familiar and versatile performers on stage and screen.
A humane, darkly comic ride into the chaos of addiction – and out the other side.
Harold Pinter's famous love-triangle drama lacks some hard edges and sharp points.
A compelling folk-fantasy set in an imagined Wild West has its wings clipped by inconsistent performances and direction.
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