This G&S classic, performed by a cast of just five, is wonderfully silly, joyous fun, even though the second act could do with some finessing.

This new play by Patricia Cornelius explores the importance and price of dissent with varied impact.

This rollercoaster satire on the current state of American politics makes for a wildly entertaining ride.

Inspired by a true story, Lillian Hellman's drama about the malevolent power of gossip and insinuation proves plenty gripping.

You won’t see a more agile 90 minutes of solo acting this year – or an indie production more deserving of a return season.

The interrogation of US national security translator Reality Winner transformed into a perfect work of theatre for this age of uncertainty.

This contemporary retelling of the doomed love story of Orpheus and Eurydice, combined with another Greek myth, makes for a surprising, thrilling musical.

What starts as a petty arrest spirals into something much bigger in this story based on a famous Victorian scandal.

Some stellar performances, but this satire set in the corridors of power in Canberra doesn't deliver on the promise of an "incisive deep dive".

Anton Chekhov's unhappy siblings updated in a well-acted adaptation with an Australian 'vibe'.

Tim Jones calls time on a 16-year tenure. "I’m so proud of what we have been able to achieve over this time.”

Big reads, in-depth analysis of Limelight's Artists of the Year vote, and everything you need to stay on top of the classical music and performing arts scene.