Uneven performances and overzealous vocal projection undermine the subtleties of Chekhov’s drama.

April's issue of Limelight is a feast of must-reads on music and the performing arts, from trailblazing bagpipe player Erwan Keravec to Richard Roxburgh's new film. Don't miss out!

Forced Entertainment throws everything under the kitchen sink at Shakespeare to create a rich, strange and illuminating experience.

This exciting, superbly staged show often makes you feel like you're watching the real Michael Jackson, though the man in the mirror isn't fully reflected.

Bell Shakespeare's new Henry 5 highlights the truism that war is always fuelled by the bodies of the young.

The Robot Dog is a play of big questions and too many ambitious ideas.

Revived for a major tour, The Dictionary of Lost Words is "a celebration of language but also a challenge to its limitations" says director Jessica Arthur.

An enjoyable Antarctic romp from Perth's The Last Great Hunt, with more than a touch of Wes Anderson's The Life Aquatic to it.

Irish actor Stephen Rea delicately explores the nooks and crannies of Samuel Beckett's rueful monodrama.

Tracey Yarad impresses with an autobiographical show inspired by the worst imaginable collapse of a relationship.

Seann Miley Moore glitters hard in John Cameron Mitchell and Stephen Trask’s cult musical.

Having experienced more than her fair share, Jodie Atkinson shines a spotlight on grief in all its manifestations.