Review: Leopoldstadt (NT Live)
Tom Stoppard's latest (and possibly last) play, screening in Australian cinemas from 5 February, may not be his greatest but it may be his most valuable.
Tom Stoppard's latest (and possibly last) play, screening in Australian cinemas from 5 February, may not be his greatest but it may be his most valuable.
Experienced executive Viv Rosman takes over the role from longstanding ED and company founder Glenn Terry.
This play dares to climb a mountain, but stumbles over life’s big questions.
This punchy rock musical about Lizzie Borden hurtles along in a production amplifying its queer female aspect and featuring four stunning performances.
With its themes of triumph over adversity and romantic escapism, the lavish musical is wonderful entertainment and a tonic for the times.
Michael Sollis asks if it is fair to expect artists to rise above their individual pain and turn their attention to creating works that address the broader societal challenges of the pandemic.
Based on the film, the musical is an unashamedly lightweight piece, but it offers plenty of escapist, nostalgic, 80s fun.
This production attempts to update the themes and speak their relevance to an Australian audience, but doesn't quite succeed.
There are a large number of musicals to look forward to this year, COVID permitting, from the well-known to the less familiar, with several new Australian musicals among them.
Colourful, quirky, energetic and fast-paced, this Comedy of Errors is an enjoyable romp for most ages.
An American in Paris has cancelled performances in Brisbane until 16 January due to COVID-related illness, as several other stage shows are forced to reschedule performances.
With its universal message that no one is only what you see, Black Brass is a joy, though more detail in the writing would help the audience care more.
Using 22 Bob Dylan songs, this play with music, set in 1934 during the Great Depression, gradually draws you into its world and leaves you filled with emotion.