Ellen van Neerven's play uses a swimming pool setting to explore the complexities of belonging, identity and assimilation.

This classic-with-a-twist interpretation of Tennessee Williams’s masterpiece mostly works, especially Nikki Shiels’s magnetic Blanche DuBois.

Director Tyran Parke deftly balances joy and grief, maintaining a buoyant tone that avoids a descent into melodrama.

Shakespeare’s play is given a feminist shake-up, but this sometimes pedestrian, occasionally unclear take comes undone.

Trent Dalton. Coco Chanel. Anton Bruckner. Casey Donovan. What's the connection? They're all featured in an all-star August issue of Limelight. Don't miss it!

Kip Williams' cine-theatrics taken a step further in a visually stunning, sometimes bombastic telling of Bram Stoker's vampire story.

Red Stitch’s first mainstage production transfer sees Kat Stewart playing unfair games of love and war in Edward Albee’s classic.

Samuel D Hunter's play retains its emotional power and humour 12 years after its premiere and in the wake of the flawed 2022 film version starring Brendan Fraser.

Log in to read the PDF version of Limelight's July 2024 magazine.

British Council Australia's Helen Salmon explains the aims of the UK /Australia Season and discusses how it continues to bear fruit.

The Hayes Theatre Co is about to stage its first opera. Director Craig Baldwin explains why he chose Britten’s The Turn of the Screw.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.