Laura Murphy's new Australian musical about theatre and zombies is hugely entertaining, with plenty of bite.

Belvoir's staging creates a powerful sense of community connectedness to the story and its characters. But there's more to do.

Whether you are an avowed minimalist or a devil-may-care, cram-it-all-in maximalist, Limelight’s April edition will have something for you.

The Adelaide-born actress has been nominated for her 26-character role in Sydney Theatre Company's The Picture of Dorian Gray.

Although the influences are clear, Frame Narrative never feels derivative. It pushes further towards originality the further it goes on.

Loss of Creative Australia organisational funding sees the shutters go up at Melbourne's historic La Mama.

This indie production of the Hitchcock parody play doesn’t always click, but comic energy and clever stagecraft will win audiences over.

A country footy club becomes a microcosm of Australia in this energetic, funny and discomforting play about racism.

This witty jukebox musical, which uses the songs of Max Martin, gives Shakespeare’s Juliet a second chance at life.

A physical, fast-moving staging of Shakespeare's comedy but one that seems reluctant to allow laughter at the expense of its characters.

Barrie Kosky’s brilliant makeover of Brecht, Weill and Hauptmann’s flawed masterpiece leaves you wondering how it could be performed any other way.

The shadow of the folk-horror genre hangs over UK playwright Rob Drummond’s Grain in the Blood - but not too heavily.