Review: The Cherry Orchard (Secret House & Old Fitzroy Theatre)
Welsh playwright Gary Owen’s adaptation puts a fresh edge on Chekhov’s tragicomic exploration of class and privilege.
Welsh playwright Gary Owen’s adaptation puts a fresh edge on Chekhov’s tragicomic exploration of class and privilege.
Mitchell Butel, "a generous, uniting force", to take the reins of Sydney Theatre Company.
The musical is patchy but Casey Donovan raises the rafters with her powerhouse vocals.
Black Swan State Theatre Company of WA, West Australian Opera and Broome-based Marrugeku among those honoured.
Hamilton is back in Sydney with newcomers performing alongside original cast members, and it's as thrilling as ever.
The dystopian Arlington is demanding, but Empress Theatre has nailed the drama's twists and turns and sticks the landing.
This month’s Limelight cover star is Gothic literature’s first and most influential monster – but not in the guise you’ve come to expect.
This Pulitzer-winning comedy about adults studying English in Iran explores identity, self-expression, alienation and belonging through language.
Bill & Ted stars Keanu Reeves and Alex Winter to feature in a new Broadway production of Waiting for Godot.
Joanna Murray-Smith’s adaption feels faithful to Chekhov’s original portrait of a fractious household stuck in a rut.
A highly polished theatrical production in which all the elements and their alchemists are in sync.
Selected from over 200 entries Jordan Shea takes the prestigious prize with “a tender dramedy that pits love against obligation”.
This Melbourne production of US composer Jake Heggie's two-act opera touches with its pain, humanity and emotional complexity.