Review: Sweeney Todd (Sydney Opera House)
Sondheim's throat-slashing musical gets a razor-sharp production, with a fine double act from Ben Mingay and Antoinette Halloran at its dark heart.
Sondheim's throat-slashing musical gets a razor-sharp production, with a fine double act from Ben Mingay and Antoinette Halloran at its dark heart.
Bloom lives up to its name, revealing a big heart and warm sense of humour as it explores aspects of life too often ignored.
Sydney Theatre Company's adaptation of Nevil Shute's pessimistic best-seller falls just short of delivering a knockout punch.
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This month we take you into places seldom seen, speak to superstar tenor Jonas Kaufmann and explore the life and music of the "Black Mozart".
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
A round-up of our recent news reports.
This energetic telling of the story of a trail-blazing mechanic and entrepreneur isn't firing on all cylinders.
Playwright Erica J. Brennan puts a provocative and bloody spin on a folk tale trope.
This week's provisional green light for hotel development of the Minerva-Metro Theatre has suddenly turned yellow again.
Full of heart and emotional complexity, Forgetting Tim Minchin doesn't leave a dry eye in the house.
This arresting new production of Caryl Churchill’s Far Away makes its dystopian vision seems more prophetic than ever.
Lacking nuance and originality, Jailbaby’s depictions of violence seem gratuitous, its characters insufficiently complex.