Anne-Louise Sarks will take over from Brett Sheehy to become the company’s seventh Artistic Director.

Joanna Murray-Smith’s much-performed Honour gets a thoughtful revival and a little makeover.

In a recent speech the Arts Minister noted the value of the arts sector to the Australian identity, economy and people, but failed to acknowledge the steady decline in available arts funding relative to population growth over the last decade, writes Leya Reid.

Belvoir programs an eclectic festival, the company's first repertory season featuring plays by Caryl Churchill and Alana Valentine, and a new panto by Virginia Gay to end the year in ridiculous, joyous fashion.

This semi-staged production does nothing to improve the musical’s chequered reputation.

When supplies of black paint from the US dried up during COVID, STC and Robertson's Paints created a superior local version that's highly durable, more eco-friendly and half the price.

Joanna Murray-Smith poses some difficult questions in her new play Berlin, commissioned by Melbourne Theatre Company.

Didgeridoo virtuoso William Barton is one of the eight recipients, winning the Don Banks Music Award in recognition of his exceptional and sustained contribution to music in Australia.

The new musical using songs from Alanis Morissette's landmark 1995 album will reopen Sydney's Theatre Royal in September 2021.

The star of Muriel’s Wedding the Musical talks to Limelight about life after Muriel and her role in the musical Fun Home for Sydney Theatre Company.

Adelaide Cabaret Festival’s new Artistic Director talks COVID and connection.

Highlights this month include Sir Simon Rattle on Janáček’s Vixen, Paul Dean on his new “Symphony” for the Australian World Orchestra, Alan Cumming on Adelaide and ageing, and Amanda Harris on representation and cultural appropriation.