Review: Chopin (Cédric Tiberghien)
Tiberghien shows there’s much to be gained from holding back.
March 25, 2018
Review: Wollschleger: Soft Aberration
Imaginative intricacies reveal a voice worth getting to know.
March 25, 2018
Review: The Cello in Wartime (Steven Isserlis, Connie Shih)
A WWI artefact offers a song of sanity in a world gone mad.
March 22, 2018
Review: The John Adams Edition (Berlin Philharmonic)
Berlin issues a handsome birthday box.
March 22, 2018
Review: Respighi (Orchestre Philharmonique Royal De Liège, John Neschling)
Fine art meets fine music in BIS’s latest Respighi release.
March 21, 2018
Review: Symphony No 6 (MusicAeterna, Teodor Currentzis)
Currentzis whips up a passionate Pathétique to love or loathe.
March 20, 2018
Review: A London Symphony (BBC Symphony Orchestra, Martyn Brabbins)
Brabbins croons a wonderful Foggy Day in London town.
March 20, 2018
Review: George Martin: Film and orchestral scores (Berlin Music Ensemble, Craig Leon)
Beatles composer emerges from that Submarine’s shadow.
March 19, 2018
Review: Wagner: Der Ring des Nibelungen (Berlin Philharmonic/Herbert von Karajan)
Universal takes Karajan’s Ring and gives it a refreshing spring cleaning.
March 16, 2018
Review: In an Italian Garden (Les Arts Florissants, William Christie)
Christie and Co cavort in a Garden of Earthy Delights.
March 16, 2018
Review: Nicholas Vines: Loose, Wet, Perforated (Guerilla Opera)
Experimental opera on ancient principles from Oz composer.
March 16, 2018
Review: Jonathan David Little: Choral and polychoral works (Various performers)
Back to the future sees a postmodern take on polychoral.
March 16, 2018
Review: Rube Goldberg Variations (Flexible Music, Atlantic Brass Quintet, Amernet String Quartet)
An intriguing musical voice that should interest anyone in search of a new auditory experience.
March 16, 2018