Lovely new Aussie works that give a sense of déjà écouté.

Trio Zimmermann’s Bach proves a masterly conversation.

Higdon’s Harp Concerto leads US program of old and new.

How did Mozart’s last symphonies really sound?

Nelsons delivers coherent and glowingly recorded Bruckner.

A touch of musical fire and ice on a clear day in the Antarctic.

Berlin’s new broom – thrilling Pathétique announces formidable partnership.

High class disappearing act: Spence masters Janáček’s elusive cycle.

Pinchgut Opera triumphs in Monteverdi’s late masterpiece.

Mercadante measures up to Rossini despite ghastly staging.

Granados’s opera is a case of nice music, shame about the plot.

Frothy piece of silliness given most stylish treatment.