With its cathedral of sound, the intricate harmonies of Nicholas Gombert’s eight-part Credo opens this first of two performances, marking the Scholars first Melbourne appearance in three years. The delicate beauty of Thomas Crecquillon’s Andreas Christi famulus transports listeners to the courts of 16th-century Europe, before the thrilling contrast of…

In this awe-inspiring performance weaving through sacred music spanning nearly a millennium, The Tallis Scholars showcase what critics have described as their ‘gloriously golden tone’ (The Guardian). From the mystical chants of Hildegard von Bingen through to the ethereal harmonies of Arvo Pärt, the crystalline voices of the The Tallis…

Prepare to be transported by the award-winning British vocal ensemble, The Tallis Scholars, as they bring their exquisite sound to the Canberra Theatre Centre for one night only. Known for their stunning a cappella performances and celebrated for their mastery of sacred vocal music, The Tallis Scholars present a superbly curated program inspired…

Acclaimed vocal ensemble The Tallis Scholars return to QPAC this October with a superbly curated program inspired by Gregorian chant. Featuring works across eight centuries, from medieval composer and visionary Hildegard von Bingen, to one of today’s most popular living composers, Arvo Pärt, audiences will be transported to an exquisite…

A garden teeming with temptation and desire, grotesque creatures and improbable scenes of surrender: the uninhibited world of Hieronymus Bosch’s 500-year-old triptych “De tuin der lusten”. Baffling his Dutch contemporaries and the casual tourists in Madrid’s Prado in equal measure (not to mention generations of art critics) Bosch’s Garden of…

Romantic choral masterpieces by famous French composers performed with an ensemble of organ, harp, cello and double bass.

Romantic choral masterpieces by famous French composers performed with an ensemble of organ, harp, cello and double bass. This concert is part of the 16th Annual Windfire Music Festival, Geelong.