As Nancye Hayes prepares to perform in the musical Anastasia, she talks about her extraordinary 65-year career.

As the world becomes ever noisier, Guy Noble admits he’d like a bit of peace and quiet in the kitchen and department stores – particularly at Christmas.

Pulling out all the stops, State Opera South Australia’s Artistic Director Dane Lam talks about the company’s Golden Jubilee.

Conducting a combined schools orchestra and choir, Guy Noble can’t help but admire those patiently raising the next generation of musicians.

After a recent European tour, Guy Noble ponders the delicate balance of accepting applause and the awkwardness of excessive curtain calls.

On a recent European holiday, Guy Noble lost the top of a finger. He raises a hand to the good-humoured staff at Britain’s NHS, who repaired his damaged digit.

In our 250th issue, Guy Noble explains how he came to write his monthly Soapbox column and how the ideas continue to flow.

For the musicians of The Metropolitan Orchestra, playing aboard a BRAVO Cruise of Performing Arts is a floating festival where no two days are alike.

Log in to read the flipbook version of Limelight's July 2025 magazine.

The lead character in Kimberly Akimbo is 16 going on 70 due to a rare ageing disease. Jo Litson talks to director Mitchell Butel and Marina Prior who plays Kimberly.

This month, an e-scooter running out of battery causes Guy Noble to ponder the dystopian horrors that await if electricity and the Internet fail.

Ahead of her one-woman show on the BRAVO Cruise of Performing Arts, West End star Celinde Schoenmaker chats about her career.