Turandot was radically different to anything Puccini had written before. To mark its centenary, Opera Australia is staging a new production.

In February, the Australian Chamber Orchestra premieres a work by John Luther Adams, who has now moved to Australia.

Tibetan-Australian musician Tenzin Choegyal explains why his cloudlike music carries the legacy of exile.

The musical theatre star shares her passion for singing and her cabaret show Bad Hand, inspired by the sudden death of her partner Ryan.

Jeneba Kanneh-Mason chats about her new album, Jane Austen’s Piano.

Mel Cantwell, Co-Artistic Director of Perth’s Lost and Found Opera, talks about the company’s relaunch at this year’s Perth Festival.

This month features a new deal for Vasily Petrenko, blockbusters from John Wilson and Fabio Luisi, Víkingur Ólafsson’s latest piano odyssey and beguiling songs by Rebecca Clarke.

The virtuosic Irish fiddler reveals what listeners can expect on his forthcoming tour.

As a jazz-loving carpenter installs his new kitchen, Guy Noble wonders if classical musicians are too obsessed with the written note.

A round-up of our recent news reports.

Tristan Coelho introduces his new composition, written for his wife, harpist Emily Granger, and the Queensland Symphony Orchestra.

Director Lee Lewis talks why she believes Yasmina Reza’s play ART is “lightning in a bottle”, particularly for the men in the audience.