Award-winning film composer Stephen Warbeck, who wrote and directed The Man in the Hat with John-Paul Davidson, talks to Limelight about how he wanted his music to affect his hatted protagonist, not just the audience.
What with love, war and several day jobs, it’s remarkable that the French composer found time to compose.
After 15 long months the renowned choreographer's work returns to the stage thanks to Australasian Dance Collective, with an early piece whose purpose is to intrigue.
The 15-year-old Australian violinist speaks to Limelight ahead of the semi-finals of the Menuhin Competition.
To encourage developing organists it makes sense to have low-maintenance and flexible instruments that are readily heard and available to listen and learn from, says newly converted Daniel Brace.
Hamed Sadeghi and Steven Oliver discuss their performances in the latest UnWrapped program, which includes First Nations cabaret, contemporary dance, Iranian-influenced jazz, Irish-Danish folk and innovative digital performance.
The composer tells us about her new work for Sydney Chamber Choir, which celebrates the life and legacy of Swedish botanist Daniel Solander.
In a recent speech the Arts Minister noted the value of the arts sector to the Australian identity, economy and people, but failed to acknowledge the steady decline in available arts funding relative to population growth over the last decade, writes Leya Reid.
Qwest TV CEO and co-founder Reza Ackbaraly tells us about the new channel available in Australia, how the platforms aims to democratise classical music, and how studying with Nadia Boulanger informed Quincy Jones’ remarkable career.
A unique collaboration between Yolŋu songman Daniel Wilfred, Korean-born vocalist Sunny Kim, and trumpeter and composer Peter Knight shows the world is a richer place when we sing together.
With the company’s MainStage program kicking off in May, Antony Pitts and Francis Greep talk to Limelight about how the company is navigating the turbulence of the global pandemic.
When supplies of black paint from the US dried up during COVID, STC and Robertson's Paints created a superior local version that's highly durable, more eco-friendly and half the price.
Given his great success in the West, why did Prokofiev return to the grip of Stalin in the USSR? Daniel Jaffé offers an explanation.
