Víkingur Ólafsson on what makes a winning combination
The winner of our 2020 Recording of the Year discusses Rameau, Debussy and Australia.
The winner of our 2020 Recording of the Year discusses Rameau, Debussy and Australia.
Playing the harp requires great physical coordination so a performance can be like walking a tightrope. But Alice Giles is exhilarated by its limitless palette of tonal variations.
Leading playwrights and directors talk about how to honour the original book, while breathing new life into it for the theatre.
Paavo Järvi talks to Clive Paget about his recording of Franz Schmidt's symphonies, Limelight's Recording of the Month in December.
How cultural rituals have helped humans deal with death.
Susan Philipsz’s mesmerising installation, showing at the NGV Triennial, uses a violinist on screen and a series of speakers to “visualise the sound”.
Early music leads the pack; Skelton’s Grimes at last; in praise of unknown composers; and Christmas cheer, anyone?
Find out what's on stage and streaming online in December from Limelight editors Jo Litson, Angus McPherson and Clive Paget.
The Australian soprano, who is performing in Musica Viva Australia's Reconnect series in Perth, reveals the soundtrack to her November.
Dreambox Collective's Chloe Chung and Carlo Antonioli takes us behind the scenes of their new multimedia project that combines music, poetry and visual art.
The Sixteen's founder reflects on how stones might talk, or better still, sing as the ensemble releases an online series called A Choral Odyssey.
After playing with the Australian String Quartet for seven years, the cellist talks difficult decisions, special moments and why it's time to delete some phone Apps.
The Welsh singer tells us about the inspiration behind his 40th album, what he's been up during the COVID-19 pandemic, and working with the likes of Judi Dench, Sami Yusuf and more.