This month, Lynden Barber reviews the film Misbehaviour about a feminist protest against the 1970 Miss World contest, starring Keira Knightley, and the Netflix series The Queen’s Gambit, starring Anya Taylor-Joy as a competitive chess player.
Margaret Wright, who received an OAM for teaching music voluntarily, shares her ideas about teaching music at primary school as part of the daily routine.
In this month's playlist of Australian music, Cameron Lam highlights works that explore space and contemplation.
The two guitarists take us behind the scenes on their duet album, which is Limelight's Recording of the Month in November.
The international communications agency is presenting a two-day conference at the AGNSW for people working in communications and fundraising in the performing and visual arts.
The composer reveals how video conferencing in quarantine shaped his new work for Ensemble Offspring.
Prior to the Don Burrows Memorial at the Sydney Opera House this Sunday, James Morrison pays tribute to his mentor and lifelong friend, "the most influential and beloved Bondi beach bum in Australian jazz".
Emily Havea will play cocky cowboy Curly in Richard Carroll’s production for Black Swan State Theatre Company. The musical will be performed in the round with a bluegrass quartet.
The Adelaide Symphony Orchestra’s Principal Clarinettist tells us about the thrill of competitive motorsports, how drifting changed his attitude to performing, and what it’s like to play Sibelius with a collapsed lung.
We speak to oboist Blair Tindall, whose memoir – and the hit TV series based on it – have inspired the Perth Symphony Orchestra’s latest candlelit concert.
Social distancing and disinfectant help tell a tale of love, madrigals and gender politics.
During Melbourne's COVID lockdown, the Australian tenor set to work on a new album. He has just released the first track on which he joined forces with Kanen Breen.
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