The Ripples before the New Wave
In their new book, Robyn Dalton and Laura Ginters chronicle a generation at Sydney University which arguably had a bigger influence on Australian cultural life than any single group before or since.
In their new book, Robyn Dalton and Laura Ginters chronicle a generation at Sydney University which arguably had a bigger influence on Australian cultural life than any single group before or since.
Returning to perform in Opera in the Market after a decade, the soprano discusses what it's like to work with young singers, her artistic ethos, and the joys of audience reaction.
Not only the celebration of a remarkable life, but a celebration of human life with music at its heart.
The clarinettist and conductor will perform Mozart’s masterpiece with the Melbourne Symphony Orchestra before jumping on the podium to conduct Paul Dean’s brand new Clarinet Concerto.
Though he played the piano badly as a child, the playwright developed a keen love of music. He recalls how including Berlioz in one of his plays influenced the lighting of the Olympic Flame in Sydney.
The Artistic Director of 3MBS's Dvořák Marathon talks about the Czech composer's overlooked gems.
The rising star composer tells us about working with the Flinders Quartet, Brett Dean, and the perspective you get learning a work from the inside.
The bassist and co-artistic director of Silkroad Ensemble discusses the group's identity since Yo-Yo Ma's departure, its upcoming Australian tour, and how to bring the bagpipe and the kamancheh together.
The stars of Victorian Opera’s upcoming production of Parsifal talk the holy fool and the wandering Jew.
Frustrated by the confines of classical music, conductor Charles Hazlewood formed the British Paraorchestra for professional musicians with a disability, which is on its way to the Perth Festival.
Pianist Kathryn Selby tells us what she looks for in musical friends ahead of Selby & Friends' Root Position tour.
Harriet Cunningham celebrates the “madness” that led to the formation and running of the period ensemble as it launches a program celebrating the past and the future.
The choreographer tells us about reviving her famous solo work Two Feet with prima ballerina Natalia Osipova now starring.