After a recent European tour, Guy Noble ponders the delicate balance of accepting applause and the awkwardness of excessive curtain calls.

Comparing Mozart to heavy metal, Queensland Ballet’s Artistic Director describes himself as a musical sponge.

This month features a new opera by Jake Heggie, dramas by Handel and Bantock, Sheku Kanneh-Mason and a treasurable new symphony by Mark Isaacs.

This month’s performance highlights from ABC Classic, independent radio and streaming.

A round-up of our recent news reports.

The founding Director of The Tallis Scholars, Britain’s revered early music vocal ensemble, discusses the group’s return to Australia.

Morgan Pearse chats about his forthcoming engagements, including playing Mercutio in Roméo et Juliette for State Opera South Australia.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Welcoming ideas as well as finalised scripts, the revamped Award aims to amplify unheard voices, encourage inclusivity and give rise to works that speak to a diverse audience.

One remarkable day at the Sydney Opera House reminds us that we shouldn't underestimate the public's thirst for classical music, writes Alexander Briger.

The British conductor talks benchmarks, challenges and orchestral relationships.

Newcastle's iconic Ocean Baths is the subject and the stage for a new play that can truly call itself 'immersive'.