Dean Bryant chats with Jo Litson about becoming the new Artistic Director of Melbourne’s Malthouse Theatre and directing Eddie Perfect’s latest musical for WAAPA.

Ana de la Vega tells us how she went from competitive showjumping to being an Amazon No. 1 best-selling flautist, with one foot in Europe and one at home as the inaugural Artistic Director of Canberra’s world-class Snow Concert Hall.

A round-up of our recent news reports.

Leading an organisation of 130 people, the CEO of Queensland Symphony Orchestra says he still finds time to play the tuba.

Next year, Pygmalion will make its Australian debut at the Adelaide Festival with a series of concerts surveying the European Baroque.

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Conducting a combined schools orchestra and choir, Guy Noble can’t help but admire those patiently raising the next generation of musicians.

This month features a major rediscovery, Simon Rattle’s take on a concert staple, a probing Well-Tempered Clavier and, remarkably for the first time, the complete My Fair Lady.

In August, Opera Australia announced three key appointments, with one to follow. Peter Tregear discusses the restructure.

This month, Benjamin Northey becomes the first-ever Professor of Conducting at the Sydney Conservatorium of Music. He traces his career and discusses different approaches to conducting.

Ella Macens explains how her new work for the Australian Haydn Ensemble shines a light on one of classical music’s most enduring romantic mysteries.

The latest arts appointments and departures.