The Australian conductor tells us about growing up in a musical clan, founding the Australian World Orchestra, and reducing the work load to better enjoy performances and time with his young family.

Its innovative livestreaming program, which introduces primary school students to opera, returns this month.

Flautist Tim Munro tells us why John Luther Adams' immersive score is something to crow about.

Terracotta Warriors to march on Melbourne.

A weekend of chamber music, gourmet delights and bonhomie for 140 lucky ticket holders.

Cicada song is a vividly Australian sound. Kate Moore tells us how these ‘little stringed instruments’ inspired her new work for the Australian String Quartet.

Rossini’s rarely-performed opera was written for the coronation of a king, with all the excess that entails. Director Damiano Michieletto explains how he got to grips with an opera that’s more showpiece than drama, and why he had to set it in an art gallery.

To celebrate Mother’s Day, four composers featured on ABC Classic’s Women of Note compilation tell us about the women who inspired them.

One of classical music’s famous failures, Beethoven’s Violin Concerto tanked at its premiere in 1806. What’s less well-known is how the notoriously difficult composer was persuaded to recast it for piano.

The composer tells us about Rituals of Heartland, inspired by a magical, snowy childhood in Ukraine and her daughter's vivid imagination.

A muse to Chopin, Berlioz and Liszt, Pauline Viardot was also an accomplished singer, pianist and composer. We celebrate the long life of one of the 19th-century’s brightest stars.

Amy Hollingsworth, the new Artistic Director of Expressions Dance Company, launches her first season.