With new software Ria Andriani transcribes musical scores to braille. As the community becomes more aware, she hopes vision-impaired people will find it easier to participate in ensembles and choirs.

The Age of Enlightenment is not over... we have just had a long intermission. Muswellbrook is leading a renaissance with a remarkable, educational gift for children.

Double bass player Alanna Jones and cellist Daniel Pini share their experiences of playing, teaching and exploring in China.

From fine food and wine to Bach in the Barns, the festival celebrates the wonders of what Tasmania has to offer.

The November 2018 issue features Die Meistersinger von Nürnberg, Mandy Patinkin, Jan Vogler and Bill Murray, plus our 2019 Season Preview.

The soprano, who dropped the double bass for singing lessons as a teenager, talks about Puccini’s heroines, her multifaceted career, and her upcoming star turn as a mermaid.

The French cellist's Vivaldi disc is Limelight's Recording of the Month in November. He tells us why the Red Priest's sonatas are in his DNA.

Melissa Bubnic has set Ibsen’s classic in a monstrous Gold Coast mansion.

Queensland Ballet is challenging choreographers to take a risk with the art form.

Stockholm may be a long way from Darwin, but for the DSO's former Music Director it's home from home.

Musica Viva’s outgoing CEO reflects on almost two decades in a role she’d originally planned as a career stepping-stone.

Sydney University Graduate Choir celebrates the centenary of the Armistice at the Sydney Town Hall.