Australian Accent: October 2025
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
School's in for Lachlan McDonald, who will step onto the stage with the Tallis Scholars without so much as a rehearsal.
Wynona Wang returns to Australia for Out West Piano Fest and a NSW tour. In her repetoire is a work Schubert once said "only devils can play".
ASQ in gift-giving mood on its 40th birthday. Chris Reid dropped in to partake of a family-friendly all-day event.
If musical training can reshape the brain in so many ways, can it also change the way musicians feel pain?
From surfing data to supporting Hiromi, Freyja Garbett is carving out a bold new path – and helping others do the same.
Music by an Australian great is about to be heard for the first time in London. Pianist Rosemary Tuck traces its journey to the concert stage.
Log in to read the flipbook version of Limelight's October 2025 magazine.
What is synaesthesia? How does it manifest itself in music makers and their listeners? We talk to a leading expert and musicians to find out.
As she prepares to perform in her own adaptation of The Shiralee for Sydney Theatre Company, Kate Mulvany discusses her life and work.
Born without a right hand, British pianist Nicholas McCarthy is a champion of left-hand-alone repertoire with a busy international career.
When Benjamin Grosvenor signed with Decca in 2011, he was their first British pianist in almost 60 years. He talks about the music on his forthcoming tour.
Ahead of Backstage Music's Unbound concert, soprano Ria Andriani explains why it is vital to open up spaces for artists with disability.