Shervin Mirzeinali cooks up a new work, one using kitchen utensils and a dancer to convey the "warmth and connection" of sharing food.

Cameron Lam talks to Celia Craig about her new ensemble, the works of Miriam Hyde and synesthesia.

Playwright Emily Steel talks to Limelight about a “ruthless” new comedy that takes you behind the scenes of Parliament House.

Ahead of HKSO's Australian debut tour, conductor-violinist Jue Yao talks to Limelight about Hong Kong's unique musical culture.

Even dancers find it hard to describe contemporary dance to people outside of it, says composer Fiona Hill. So how do you write music for it?

Joseph Tawadros talks to Limelight about his two very different Sydney Festival gigs – and the possibility of "playing the oud in a raincoat".

Happy New Year, and welcome back to the Australian Art Music playlist! A monthly playlist of classical, jazz, experimental and electronic music by Australian composers, musicians and sound artists.

Limelight takes a look into the nuts and bolts of The Cage Project and the making of a mesmerising sonic and visual experience for Sydney Festival.

As Southern Cross Soloists turns 30, Limelight speaks to SXS's Ashley Smith about 30 years of the little company that could – and did.

The Singaporean conductor explains how one composer succeeded where many failed.

Did the combination of inflammation, crash dieting and heartache help shape – and eventually destroy – Maria Callas's unique and polarising voice?

Log in to read the PDF version of Limelight's January–February 2025 magazine.