In his day, Ferdinand Ries inspired Schumann and Liszt. Now, Australia’s favourite pianist is rediscovering for Hyperion the concertos of a composer who forms the missing link between Beethoven and Chopin.

The Grammy award-winning vocalist explains how growing up on a diet of Bach and Brahms set him up for a career singing jazz.

As OA releases its 2017 Annual Report today, Rory Jeffes discusses the operating deficit and into the future.

The legendary soprano Birgit Nilsson would have been 100 this month. Justine Nguyen revisits the heroic life and career of this daughter of Vikings.

Currently singing Leïla with State Opera of SA, the soprano talks about her funniest moment on stage, her guilty pleasures and a back-up career in astrophysics.

Musical Director Dr Robert Braham tells us about the choir's first concert for the year with themes ranging from comets to text messages.

At music camp, a person can rekindle their faith in the next generation and celebrate the joys of non-instant gratification.

The English dancer on turning triple threat, eight shows a week and tea with Leslie Caron.

Encouraged and championed by legendary musicians and composers, the versatile Arthur Bliss became one of the most revered figures of his generation.

Composer Matthew Hindson reviews renowned Australian conductor and music educator Richard Gill's new composition guide.

The Australian composer of Babe and a host of classical scores has a residency with the Sydney-based orchestra, but the practice actually goes back to the Dark Ages and beyond.

The photographer, whose images will be familiar to anyone who’s been to a Musica Viva concert, takes us behind the scenes in a new exhibition