A director’s triple crown for Melbourne Opera
Suzanne Chaundy talks about staging Donizetti’s Tudor Queens ahead of the final instalment, Roberto Devereux.
Suzanne Chaundy talks about staging Donizetti’s Tudor Queens ahead of the final instalment, Roberto Devereux.
A photographic exhibition in Melbourne explores the public and private life of the iconic Australian composer.
The British violinist talks about her new Szymanowski and Karłowicz album, Limelight’s Recording of the Month. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
From humble beginnings in Armenia, and with little formal training, Aram Khachaturian went on to become one of the Soviet Union’s top composers – but success came at a price, says Daniel Jaffé.
The virtuoso pianist received rave reviews for his Proms debut in August. Now he has recital concerts in Australia. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
As she prepares for Dallas Opera's Institute for Women Conductors, the Aussie maestro discusses gender equality on the podium.
The November 2017 issue of Limelight Magazine is your ultimate 2018 Season Preview. Use our comprehensive guide of orchestral, chamber, opera & vocal, dance, theatre, musicals, galleries and festival events to plan your 2018 cultural calendar.
Vladimir Ashkenazy speaks about a lifetime travelling cheek by jowl with the music of the great Russian composer. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
In a new Platform Paper, the actor discusses the survival skills that have helped him sustain a 50-year career. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Ahead of its WA premiere, the organist reckons Handel’s oratorio offers more than just The Queen of Sheba’s ubiquitous arrival. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
In his new opera of The Snow Queen, the composer draws on the storytelling power of myth and adds a dash of panto. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Ahead of his concerts with Katie Noonan and the SSO, the cartoonist-poet explains the musicality and lyricism that drives his art.
With a larger purse and a record deal, the guitarist explains how his composition prize is going from strength to strength.