Muriel’s Wedding: you’re terribly musical, Muriel!
Muriel's headed for the Sydney stage. The creative team explains why turning the film into a musical was a “no-brainer”.
Muriel's headed for the Sydney stage. The creative team explains why turning the film into a musical was a “no-brainer”.
Chris van Tuinen and Gladys Chua will escape from a prison into the open air in four uniquely site specific concerts. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Miriam Gordon-Stewart and Rachelle Durkin hope Virginia might enjoy a slice of Rameau with a little hip hop on the side. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Danish director talks to Limelight about staging Carmen on the lake-stage at Bregenz ahead of its cinema transmission. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The British composer has a choral work at Melbourne Festival, while the Australian Ballet is dancing to his music in Alice.
The pianist will explore this question and more through the premieres of four new works in a setting of Lisztian opulence. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Prolific composer and Baroque star Anton Fils had a surprising appetite for arachnids.
The cutting-edge US artist will discuss composing in a post-truth world and perform her work inspired by a military “blood chit”. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Ahead of his appearance with the Chinese National Symphony Orchestra, the violinist talks music, audiences, and beauty.
Ahead of Madama Butterfly, the Mexican-born tenor shares why he’s happy to be working here with Opera Australia. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Christopher Latham looks at the French impressionist's paintings and experiences during the First World War.
Moody, paranoid and in later years creatively paralysed by depression, there was a dark side to Elgar that history tends to overlook.
The Melbourne Festival’s AD explains that audiences in the city, and in Australia, inspire him to go further and harder. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in