The conductor explains the allure of the German Romantics ahead of his performance with Sydney Chamber Choir.

From the edge of dreams to the dread of the Doppelgänger, the composer conjures five fantasies for his trombone protagonist.

The Finnish pianist's eighth Aussie tour sees him mixing Debussy and Sibelius with his old 'Appassionata' for Beethoven.

Growing up in Argentina, he joked about imitating women’s voices and studied bel canto because no-one taught countertenor.

Newly commissioned works by Bakrnčev, Barton and Wolf will form the centre-piece of Maddilyn Goodwin’s interdisciplinary project.

A play lurching from one theatrical disaster to the next has proved a worldwide hit.

The Acacia Quartet's Stefan Duwe explains why the composer, banned in Hitler's Germany, should be heard more often.

The Flinders Quartet's Zoe Knighton explains what happens when you mix and match the seating arrangements.

An al fresco session between the composer and the psychoanalyst resulted in a two-word diagnosis.

The Australian Romantic & Classical Orchestra is attracting Australian musicians home, says clarinettist Nicole van Bruggen.

The orchestra was love at first sight for the Perth-bound Israeli conductor – the sounds, the instruments, the cigarettes, the coffee...

Filling the void left by Hobart Baroque, Julia Fredersdorff's new period ensemble will launch at Ten Days on the Island.