From saxophone orchestra to wind symphony, Katia’s latest piece showcases woodwind in a new and innovative way. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
In the thick of his second Brisbane Festival, the Artistic Director talks about the importance of risk and collaboration.
The conductor explains why A Sea Symphony launches his soul on a passage to choral heaven. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
With a world-class orchestra, thermal baths and the aromas of spice and coffee, Budapest is a stimulant for all the senses. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Deborah Cheetham’s Pecan Summer will receive a one-off performance at the Opera House. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Sydney Theatre Company director hopes to capture the heady thrill of escape and the dangers of sexual control. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Malcolm Williamson’s opera was hailed as the best thing since Peter Grimes, yet it sank as its composer sank. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Over a lifetime that witnessed unprecedented musical and social upheaval in his homeland of Russia, Alexander Glazunov remained resolutely his own man.
With their lucky charms, bizarre rituals and arcane mantras, the average artist can be an irrational being.
The English pianist explains why five particular masterworks have him endlessly coming back for more. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The report on the first National Music Teacher Mentoring Program has come in and the message is loud and clear. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The director of Driving Miss Daisy and Double Jeopardy describes stumbling into opera direction at a cocktail party. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Why did it take a Czech immigrant to create the perfect American symphony in the German style? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
