A new project unearths the Indigenous and settler songs you might have heard were you in Sydney in the early 1800s.

The Sydney Conservatorium's Laura Case delves into the logical and historical reasons for the large number of violins in a symphony orchestra.

As pianist Angela Hewitt prepares for her Australian dates, we grab a few minutes to talk about her program and what she does to stay at "the pinnacle".

Director Laura Hansford and star Emma Pearson talk to Limelight about making a Lucia di Lammermoor for the 21st century while honouring its history.

Log in to read the PDF version of Limelight's October 2024 magazine.

As the Sydney Philharmonia Choirs prepares to perform her works, Clive Paget traces the career of trailblazing British composer Dame Ethel Smyth.

Elena Kats-Chernin talks about composing the score for Adam Elliot's new claymation movie Memoir of a Snail.

We talk to Brisbane's Dead Puppet Society about Peter and the Starcatcher, the Broadway smash hit about the boy who became Peter Pan.

A new collaboration between the Sydney Conservatorium and NIDA features the premiere of four operas written by Master’s students.

Gillian Wills tells Jo Litson about her debut novel Big Music.

The Australian violinist discusses playing with the Australian World Orchestra, where she is this year’s Concertmaster.

Blind from birth, Nobuyuki Tsujii began playing his toy piano when he was two, and he has lost none of the joy he felt as a child.