Dame Ethel Smyth fought hard for recognition of her music. As the Sydney Philharmonia Choirs prepares to perform her Mass in D and The March of the Women, Clive Paget traces the career of the formidable, trailblazing British composer and suffragette.

Ethel Smyth around 1901. Photo © Pictorial Press Ltd/Alamy Stock Photo

In 1934, England celebrated the 75th birthday of Ethel Smyth, a composer who for half a century had coaxed, cajoled and harangued conductors and concert promoters to ensure her music got some kind of a hearing. Across three months, London audiences and listeners to the fledgling BBC had the chance to hear a selection of works, a handful of which had tentatively entered the repertoire.

The Smyth-fest culminated...