Unshackling the Classical
There is no singular way to be Australian, argues music critic and writer Giselle Au-Nhien Nguyen, so there is no one way Australian music should sound.
There is no singular way to be Australian, argues music critic and writer Giselle Au-Nhien Nguyen, so there is no one way Australian music should sound.
The Orchestra Project and IOpera are set to premiere a World War II-era work that came close to being lost with its composer in the battle for Leningrad.
Cameron Lam brings a plethora of new Classical, Jazz and Sound Art releases in this month’s Australian Art Music playlist.
The Neave Trio explores cultural and emotional roots from Smetana to Frank Martin.
Ensemble Apex begins a "new era" with its inaugural Apex Festival; Artistic Director Sam Weller gives a glimpse of what's in store.
Limelight talks to two of Australia's leading expat musicians about what draws them home from Europe to perform with the Australian World Orchestra.
Ahead of an Australian tour of The Birth and Death of Stars, MZAZA vocalist Pauline Maudy talks about the journey so far.
500 episodes and counting: Peter Eyers talks to Limelight Editor Jo Litson about his long-running STAGES podcast.
Let’s take a moment to appreciate the humble percussionist, and their sometimes less-than-obvious contributions to the music we love.
Now touring Australia, Karen Gomyo talks about her love for Dvořák's Violin Concerto, her pre-concert rituals and the importance of staying grounded.
Gregg Arthur and the art of jazz singing: "I don’t want to be one of those guys who just impersonates a famous recording."
Ahead of its Brisbane Festival season, Irish choreographer Luke Murphy unpacks his marathon dance-theatre epic.
Australians are making waves in the international new music scene, as seen in Bang on a Can’s Summer Festival earlier this month.