Shake & Stir Theatre Co is renowned for its adaptations of literary classics. Ahead of a tour of Frankenstein, we talk to two of its artistic directors.

The number of Australians with their sights set on an international conducting career hasn’t changed, but their success rate is down. Why?

We talk to author Katherine Wiles and other creatives about their colourful careers in the Opera Australia Chorus.

Emma Sandall talks about her new solo show, inspired by Sheila Heti’s novel Motherhood, which features movement, animations and a score by Elena Kats-Chernin.

Jakub Jankowski explains how his new piece for the ACO is built around a musical device popular during the Baroque period.

Over a 30-year career, Andreas Scholl’s voice has retained its remarkable beauty. He talks to us about his instrument and the road to fame.

Tan Dun talks about his choral concerto Nine and violin concerto Hero, which he is to conduct for Melbourne Symphony Orchestra.

In 2025, Mark Wigglesworth becomes Chief Conductor of the Adelaide Symphony Orchestra. He talks about his approach to conducting, and his passion for cricket.

The Finnish pianist, composer, conductor and curator discusses his program for this year’s UKARIA 24 festival.

Sydney Philharmonia Choirs’ new Executive Director discusses his lifelong love of choral music and why he said no to Bear Grylls.

En route to the Adelaide Guitar Festival, Xuefei Yang talks about her trailblazing career as China’s first internationally celebrated classical guitarist.

A round-up of our recent news reports.