Director Laura Hansford and star Emma Pearson talk to Limelight about making a Lucia di Lammermoor for the 21st century while honouring its history.

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As the Sydney Philharmonia Choirs prepares to perform her works, Clive Paget traces the career of trailblazing British composer Dame Ethel Smyth.

Elena Kats-Chernin talks about composing the score for Adam Elliot's new claymation movie Memoir of a Snail.

We talk to Brisbane's Dead Puppet Society about Peter and the Starcatcher, the Broadway smash hit about the boy who became Peter Pan.

A new collaboration between the Sydney Conservatorium and NIDA features the premiere of four operas written by Master’s students.

Gillian Wills tells Jo Litson about her debut novel Big Music.

The Australian violinist discusses playing with the Australian World Orchestra, where she is this year’s Concertmaster.

Blind from birth, Nobuyuki Tsujii began playing his toy piano when he was two, and he has lost none of the joy he felt as a child.

Kim Williams discusses the future of the ABC and public broadcasting.

Composer and Artistic Director Evan J Lawson chats with Maddy Briggs about Forest Collective’s upcoming, multidisciplinary concert series.

After 25 years, the Wharf Revue is calling it quits. Co-creator Jonathan Biggins looks back at its history ahead of its final production.