Theory versus practice? Sally Whitwell weighs in on what exactly being a composer is all about. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

The May issue of Limelight explores Beethoven’s 1808 marathon concert, but how well do you know Herr van Beethoven?

Where did Ludwig go wrong? Perhaps the programming was to blame.

How does an artist commemorate the brutality of war? Composer James Ledger shares his thoughts. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

The Iranian-American harpsichordist unravels Rameau (and a good deal more). Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Two of Australian music’s leading ladies, Claire Edwardes and Amy Dickson, on reviving their duo. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

The strange bedfellows let their imaginations run wild – you have been warned… Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

The Artistic Director of the Australian Festival of Chamber Music reveals 2015’s red-hot lineup. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Boris Godunov and Frankenstein stand out among Covent Garden’s showings for 2015 and 2016. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

CIMF Artistic Director Roland Peelman shares why Einstein is his inspiration.

In a wide ranging interview Australia's newest arts chief explains the debt he owes to Richard Gill and Simone Young.

On the way to Gallipoli a century ago, Australian composer Frederick Septimus Kelly was inspired to write his greatest work.