The University of Sydney recently acquired a collection of first editions of works by Mozart and Beethoven. Why are they so important?

Melbourne Symphony Orchestra's Beethoven Festival is set to be a test for string players – and a rare opportunity to experience the musical evolution of a genius.

Miriama Young explains how she was inspired by Beethoven’s Ninth when she was commissioned by Canberra Symphony Orchestra.

A liturgical performance of Beethoven's masterpiece, exactly 200 years after its first hearing, reminds us that peace is always longed for, seldom found.

The Danish String Quartet violinist explains how the Prism series has been a rite of passage.

Australian Haydn Ensemble's latest tour reveals the telling detail in works we've become used to experiencing at scale.

Inspired by the big screen release of Chevalier, Limelight trawls the streamers and DVD shelves for the best cinematic explorations of the lives of classical music greats.

It’s not unusual for musicians to disregard much-discussed Beethoven's tempo markings and set their own pace. A new recording project sets a new low.

We explore the history of Fidelio, and talk to Simone Young and First Nations writer Tyson Yunkaporta about the Sydney Symphony Orchestra’s new concert version.

Roland Peelman explores the history and the joy of walking, and looks at whether it has a direct link to creativity.

This year’s ABC Classic 100 managed to unite an ornery group of people with its hilarious stock images and predictable choices.

The violinist discusses his changing approach over the years and his "lust" for collaboration.