After a week-long winter intensive program at the Sydney Conservatorium of Music, Deborah Cheetham Fraillon announces a new First Nations opera will premiere in 2025.

As Opera Australia’s Puccini centenary celebrations continue, Limelight talks to the creative team behind its new production of Il trittico.

Ahead of his Australian appearances in July, French cellist Christian-Pierre La Marca discusses his multimedia concert-show about the planet.

Log in to read the PDF version of Limelight's July 2024 magazine.

People are dancing into their nineties and beyond. We look at the collectives, classes programs that keep them moving.

James Antoniou examines how music and poetry have interlocked through the ages and explores their collaborative potential.

This month, West Australian Opera unveils a brand-new, all-Australian production of Rusalka. We talk to the creatives staging it.

British Council Australia's Helen Salmon explains the aims of the UK /Australia Season and discusses how it continues to bear fruit.

Marshall McGuire, Director of Programming at Melbourne Recital Centre, talks about its daring new music series.

The Grammy Award-winning violinist shares his thoughts on touring with pianist Polina Osetinskaya and his trusty “ex-Kreutzer” Stradivarius.

The popular leading lady tells us about finding her musical theatre “tribe” and returning to the BRAVO Cruise of Performing Arts.

The Hayes Theatre Co is about to stage its first opera. Director Craig Baldwin explains why he chose Britten’s The Turn of the Screw.