The Spiegelmaestro behind La Clique traces his journey from jazz pianist to theatrical producer and owner of The Famous Spiegeltent.

Kyiv-born Finnish conductor Dalia Stasevska chats with Clive Paget about her path to the podium, her support of Ukraine, her growing love of Ukrainian music and why she has released a classical mixtape.

A round-up of our recent news reports.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Guy Noble asks whether artists have the right to free speech, or if it depends on the context. And why are Australian arts organisations having such trouble retaining cultural leaders?

Graeme Koehne introduces his latest work for the Adelaide Symphony Orchestra, which he describes as “an aesthetic discussion in music”.

This month includes Don Quixote, but not as you know him, rare archival Bruckner, two of Germany’s most interesting Lieder singers and Meyerbeer’s greatest hit.

This month’s performance highlights from ABC Classic, independent radio and streaming.

The latest arts appointments and departures.

Palette Pieces is a new collection of mix-and-match solo pieces, inspired by watercolour paints. Composer-painter Cameron Lam explains the process.

There is no singular way to be Australian, argues music critic and writer Giselle Au-Nhien Nguyen, so there is no one way Australian music should sound.

The Orchestra Project and IOpera are set to premiere a World War II-era work that came close to being lost with its composer in the battle for Leningrad.