In a new sound installation, composer Damien Ricketson and sound scholar/artist Diana Chester amplify the imperceptible sounds of the beach.

A busy schedule sees him spend much of his time in Poland and Italy, but conductor Daniel Smith is busy promoting Australian musicians far and wide.

Cameron Lam celebrates a kaleidoscope of colours across Classical, Jazz and Sound Art in this month’s Australian Art Music playlist.

The second-time Artistic Director and violinist talks about what's in store for this year's 3MBS Marathon.

A liturgical performance of Beethoven's masterpiece, exactly 200 years after its first hearing, reminds us that peace is always longed for, seldom found.

In an ancient church in Germany, a 639-year organ performance of a John Cage composition is about to sound a new note.

A nerdy passion for vintage infrastructure and a fondness for people watching have informed Steve Rodgers' latest play, set in a public swimming pool.

Connor D'Netto unveils himself as a synthesist in his new four-track EP, which fuses contemporary classical with experimental electronics.

Divisi Chamber Singers convey the colours of the rainbow for Melbourne's Midsumma Festival – and revel in some kooky rhythms, too.

The Violet Femmes bassist turned Mona Foma curator shares some of the records that have been on high rotation for much of his life.

The Sydney Symphony’s Chief Conductor gives a preview of the start of the Orchestra’s season, with two landmark events and one shining jewel.

Groundhog Day the Musical is one of the most demanding shows Andy Karl has ever been in - which why he keeps coming back.