Chloé Charody brings her politically charged performance pieces to Melbourne for the first time. "I want to use my platform to amplify the voices the world wants to forget,” she tells Limelight.

Making her Australian World Orchestra debut in its MAHLERFEST, violinist Sola Hughes is tuning up for a once-in-a-career musical experience.

What would we do if all the rubbish we hurled into the world came back to bite us? A new show at La Boite confronts our uncertain future.

The British pianist explains what makes Ravel's songs special, and how to pull them off.

Cameron Lam’s Australian Art Music playlist is tied together by strings, literal and figurative this month.

Unsound Artistic Director Mat Schulz chats about the festival's record label; an enduring artefact of an ephemeral moment in time.

In his monumental Symphony Kūkai, Chinese composer Zou Ye invites audiences into a contemplative experience.

The reinstatement of Khaled Sabsabi's invitation to represent Australia at the Venice Biennale is more than a symbolic reversal. It is Creative Australia's chance to restore trust, argues Samuel Cairnduff.

“Men don’t talk.” It’s a phrase we’ve heard so often, it’s practically gospel. A new stage production is challenging the trope.

Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.

For the musicians of The Metropolitan Orchestra, playing aboard a BRAVO Cruise of Performing Arts is a floating festival where no two days are alike.

Vocalist Jess Hitchcock and choral director Steven Hodgson share their thoughts on Deborah Cheetham Fraillon’s music ahead of the MSO's Yinya dana program.