Ahead of his staging of Venus & Adonis, director Damien Ryan explores the influence of a remarkable talent on William Shakespeare.

Epic adventures like Starfield are drawing people to symphonic music like never before. It's time to take video game music seriously.

Julia Russoniello's research offers a rare insight into what violin performances may have sounded like in the concert halls of Sydney a century ago.

Violinist Semra Lee and composer Emma Jayakumar discuss Darlington Chamber Music's 20th year, marked with a gala concert and a world premiere.

Paul Dean discusses the new work he has composed for Four Winds, to be performed by students and seasoned professionals: a threnody for pigs.

The Music Director of Sydney Chamber Choir discusses the dichotomy between the sacred and secular in choral music, embodied in his latest program.

This month, Cameron Lam’s Australian Art Music playlist collects rich pieces with perspectives to listen to, whether commenting on history, the world or current events.

As violinist Natalie Chee returns home to play Mahler's Symphony No. 9 with the AWO, she explains why it's so exciting to be part of the orchestra.

Australian soprano Eleanor Greenwood is about to make her role debut as Elisabetta in Maria Stuarda for Melbourne Opera. She discusses her career, her ambitions and singing bel canto.

The English Concert's music director explains why every bar of Serse is worth recording.

Bach Akademie Australia's new recital series blends the cosmologies of Australia's First Nations and the European Enlightenment with magical effect.

The renowned English-born Australian organist and conductor describes the experience of playing in St Michaelis, Hamburg, a beautiful church with six organs.