Artists and audiences return to New Zealand's Adam Chamber Music Festival year after year. "We’re a festival that looks after people,” says Artistic Director Gillian Ansell.

Composer Patrick Grant created International Strange Music Day to spread a simple message: listen without prejudice.

Caerwen Martin's first Sinfonia, written for Melbourne Chamber Orchestra, was like "letting out a long-held secret".

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With AI technologies developing at an astonishing pace, we are trying to keep pace with what it all means. We unpack its impact on music makers.

The dance world has lionised artists for more than a century. West Australian Ballet’s Echoes of Van Gogh is set to continue the tradition.​

On the 400th anniversary of Byrd’s death, we discuss his subversive career with British conductor and musicologist David Skinner.

Kate Miller-Heidke and Keir Nuttall's musical Bananaland opens at Brisbane Festival. They say write what you know, so that's what they did.

Zahra Newman discusses growing up in Jamaica, playing Billie Holiday on stage, and her regret at not playing an instrument.

Sisters Courtney and Emily Monsma will perform alongside each other in one of their dream musicals, and it feels like it was meant to be.

Théotime Langlois de Swarte didn’t choose the life of a Baroque violinist; it chose him. He discusses the 1665 Jacob Stainer violin he plays.

Since 2017, the Melbourne-born violinist has been based in London. She discusses returning home to play with the Australian World Orchestra.