The English Concert's music director explains why every bar of Serse is worth recording.

Bach Akademie Australia's new recital series blends the cosmologies of Australia's First Nations and the European Enlightenment with magical effect.

The renowned English-born Australian organist and conductor describes the experience of playing in St Michaelis, Hamburg, a beautiful church with six organs.

A life and music-changing encounter with an electrifying force of nature inspires a new work from cellist-composer Zoë Barry.

Orchestra Victoria's Indie Symphony showcases video game music "every bit as moving, melodic and evocative” as classical concert hall fare.

Artists and audiences return to New Zealand's Adam Chamber Music Festival year after year. "We’re a festival that looks after people,” says Artistic Director Gillian Ansell.

Composer Patrick Grant created International Strange Music Day to spread a simple message: listen without prejudice.

Caerwen Martin's first Sinfonia, written for Melbourne Chamber Orchestra, was like "letting out a long-held secret".

Log in to read the PDF version of Limelight's September 2023 magazine.

With AI technologies developing at an astonishing pace, we are trying to keep pace with what it all means. We unpack its impact on music makers.

The dance world has lionised artists for more than a century. West Australian Ballet’s Echoes of Van Gogh is set to continue the tradition.​

On the 400th anniversary of Byrd’s death, we discuss his subversive career with British conductor and musicologist David Skinner.