Playing Up: The Double Bass with Maxime Bibeau
The Australian Chamber Orchestra’s Maxime Bibeau explains how he came to play a 1585 Da Salò bass that "sings with everything else around."
The Australian Chamber Orchestra’s Maxime Bibeau explains how he came to play a 1585 Da Salò bass that "sings with everything else around."
While appreciating the convenience of digital music, Guy Noble has begun embracing LPs again and loves the sound, even though classical music is disc-heavy.
Osmo Vänskä’s Mahler cycle continues with a sublime Ninth, quirky programs from Zubin Kanga and Anna Prohaska, and a Rota rarity.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
The Australian concert pianist discusses competing in this year’s Sydney International Piano Competition, dubbed The Sydney.
This month’s performance highlights from ABC Classic, independent radio and streaming.
Nicholas Buc has written the music for a new oratorio called Origins, which draws on science to tell the creation story.
The latest arts appointments and departures.
A round-up of our recent news reports.
Cheryl Barker and Peter Coleman-Wright are upping the ante at Pacific Opera, using pocket operas and oratorios to prepare the Young Artists for the profession.
Sports events are a winner under the Malinauskas Labor government. The arts do not get a mention.
The ANAM student and double bassist shares what he's learned from joining the Australian Chamber Orchestra for its upcoming Mozart tour.
The composer discusses his new song cycle drawing on soprano Judith Dodsworth's tale of recovery and cold-water swimming.