TÁR: class and the classical music industry
Todd Field’s TÁR shines an uncomfortable light on some of the social and political dynamics of the world in which it is set, argues Peter Tregear.
Todd Field’s TÁR shines an uncomfortable light on some of the social and political dynamics of the world in which it is set, argues Peter Tregear.
Time and tides are explored and celebrated in SIMA's adventurous Jazz: NOW summer festival.
Solitude and sacrifice. Ahead of his Melbourne and Sydney appearances, tenor Michael Fabiano reveals what it takes to bring a character to life.
Eri Hotta's new book about Shinichi Suzuki and his approach to early childhood musical education is about to hit bookstores. Read an extract here.
As The Hours arrives in cinemas, its co-star Renée Fleming speaks to Limelight about the making of the opera and why it is "crucial" to stage new work.
Europa! Europa returns to Australia for its second year with a festival of 29 films from 24 countries.
The whole world is talking about TÁR. It’s time for Australian orchestras to join the conversation on gender, the canon and conducting.
Conductor Natalie Murray Beale talks to Limelight about teaching Cate Blanchett to wield the baton in TÁR and the film's potential to provoke.
The four composers of the MSO's Cybec Young Composers program discuss their new orchestral commissions, and what the program means to them.
Ensemble Offspring's Avant Gardens series takes musicians and their audiences out of the recital hall and into suburban backyards.
Anthony Weigh's play breathes imaginative life into the story of Sunday Reed and the Heide circle.
The new Artistic Director for this year's 3MBS Marathon talks about her program, bringing the rich diversity of Melbourne music to the stage.
Cameron Lam begins 2023 with a playlist of Australian music about fire, from campfires to bushfires to dying embers.