We asked both our critics and readers to vote for the classical musicians who made the biggest impression in 2025. So, who did they choose?

Many arts organisations are now offering a range of accessible options from tactile tours to Auslan-interpreted and relaxed performances.

Carl Orff’s Carmina Burana is one of the most regularly performed choral works of our time. We look at the reasons for its popularity.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Guy Noble explains why positive affirmations drive him mad and have the reverse effect.

This month features Elsa Dreisig, a soprano of prodigious talents, Allan Clayton singing Winterreise and orchestral music, some familiar, most not.

Having got to grips with the city he now calls home, Sydney Festival Director Kris Nelson is fast closing in on a decent night's sleep.

What do our festivals have on offer in the year ahead?

What do our orchestras and choirs have on offer in the year ahead?

Musicians seem to adore Jaime Martín, as do audiences. We talk to the irrepressible Chief Conductor of the Melbourne Symphony Orchestra.

As her play Lacrima comes to Australia, writer/director Caroline Guiela Nguyen talks about why she likes interweaving different narratives.

In February, the Australian Chamber Orchestra premieres a work by John Luther Adams, who has now moved to Australia.