Review: Manon (The Australian Ballet)
The concept of the guilty pleasure could have been created just for this sprawling, opulent ballet.
The concept of the guilty pleasure could have been created just for this sprawling, opulent ballet.
Completing their 11th Australian tour, the “rock stars of Renaissance vocal music” deliver a sublime survey of chant over a thousand years.
A powerful, poetic adaptation exploring masculinity, parenthood and redemption in outback Australia’s heart.
A thoughtfully curated program offers a unique musical dialogue between old and new, period instruments and modern technologies.
Mozart and all that jazz brings SSO’s cracking Cocktail Hour to a satisfying end.
Sell-out concert with family feel shows why they’re just wild about Harry.
Unravelling in a sharehouse bathroom during a wild end-of-lease party, this new site-specific show is overflowing with queer drama and relatable humour.
The audience becomes the show in this interactive performance. But should this “non-threatening” experience apologise for not taking it far enough?
A recital of irresistible warmth and heart by a pianist who is every bit the great virtuoso.
Short of revelatory on the subject of people and their pets, but good company thanks to actors with flawless comic instincts.
A polished evening of song celebrates divine inspiration and the human voice in all its glory.
Impressive visual design and a fine cast led by Nikki Shiels are the strong suits of this new take on Daphne du Maurier’s novel.
Leading HIPsters from east and west unite for an intimate, revelatory concert experience.