Review: Dying: A Memoir (Melbourne Theatre Company)
Benjamin Law adapts author Cory Taylor’s final work into a one-woman show that’s honest, humorous and heartfelt.
Benjamin Law adapts author Cory Taylor’s final work into a one-woman show that’s honest, humorous and heartfelt.
A swirling poem of struggle and survival expressed vividly in dance, multiple languages, music and the moving image.
Plenty to sing about as Salut! winds up its 30th anniversary season with a celebration of the human voice.
An exhilarating wedding party-themed concert, played at blistering pace and punctuated with rousing trumpet playing.
American composer Sarah Kirkland Snider’s Penelope offers a refreshing contemporary female perspective on an ancient tale.
Sunny Kim, Joanna Duda and Helen Svoboda deliver a joyously and idiosyncratic set to redraw genre boundaries.
Nicholas McCarthy makes an impressive MSO debut, comfortably accounting for the technical and interpretative demands of Ravel's Piano Concerto for the Left Hand.
Brilliantly delivered, this searing monodrama examines the personal impact of America's gun culture.
A voice for the generations, Samara Joy shows us what all the fuss is about.
Aged 85, Gary Bartz remains a master musician, a seeker of new influences and inspirations.
Completely daft and deliciously funny, this musical tribute to Australia's greatest horse (yeah, Kiwis ... we know) is a winner straight out of the gate.
A digital worst-case scenario supercharged with class anxiety, cliffhanger moments and jaw-dropping reveals.
Convincing performances and a visually arresting production thrust Shakespeare’s tragedy into the contemporary world.