American composer Sarah Kirkland Snider’s Penelope offers a refreshing contemporary female perspective on an ancient tale.

Sunny Kim, Joanna Duda and Helen Svoboda deliver a joyously and idiosyncratic set to redraw genre boundaries.

Nicholas McCarthy makes an impressive MSO debut, comfortably accounting for the technical and interpretative demands of Ravel's Piano Concerto for the Left Hand.

Brilliantly delivered, this searing monodrama examines the personal impact of America's gun culture.

A voice for the generations, Samara Joy shows us what all the fuss is about.

Aged 85, Gary Bartz remains a master musician, a seeker of new influences and inspirations.

Completely daft and deliciously funny, this musical tribute to Australia's greatest horse (yeah, Kiwis ... we know) is a winner straight out of the gate.

A digital worst-case scenario supercharged with class anxiety, cliffhanger moments and jaw-dropping reveals.

Convincing performances and a visually arresting production thrust Shakespeare’s tragedy into the contemporary world.

Bill Frisell brings a symphonic sweep to a spellbinding masterclass with his telepathic trio.

An intense but troubled love affair reflects the pain of traumatised Country in John Harvey's road-movie-like two-hander.

Bavouzet’s musicianship goes far beyond mere mastery of the technical difficulties in Ravel's works.