Review: Gentlemen Prefer Blondes (Hayes Theatre Co)
Two terrific central performances in Gentlemen Prefer Blondes lift a production that mostly struggles to find its rhythm.
Two terrific central performances in Gentlemen Prefer Blondes lift a production that mostly struggles to find its rhythm.
The internationally renowned soprano Siobhan Stagg returns home in triumph with a program of evocative art songs.
Director Rosetta Cucchi’s striking conception and a surprise role debut made Francesco Cilea’s Adriana Lecouvreur an unmissable theatrical event.
Australian Haydn Ensemble tracks the art of the fugue – from Bach to Haydn and beyond.
Guitar diva Karin Schaupp and four old friends bring us some old favourites and a stunning new Carl Vine work.
CAMP is a window on to a world many of its younger audience would find hard to recognise let alone accept.
Maeve Marsden's debut play Blessed Union is a scorchingly funny, deeply empathetic and politically attuned WorldPride must-see.
Choir Boy is a joyous celebration of vulnerability, a heartwarming reflection of how far we have come – and how far there is to go.
A middle-aged makeover and the casting of Jason Donovan has done wonders for Richard O’Brien’s Rocky Horror Show.
Queensland Symphony Orchestra’s opening concert for 2023 presented a bold mix of classical romanticism and First Nations works.
Simone Young and pianist Cédric Tiberghien's French connection works its magic on a balmy summer night.
This adaptation of the vampire cinema classic Nosferatu dwells in the netherworld between popular and intellectual theatre.
Edward Albee's Tony Award-winning The Goat, or Who is Sylvia? plumbs the depths of the moral low ground. No kidding.