Asher Fisch and his forces awake this behemoth with sensitivity and abandonment, portraying the epic life-and-death struggle as conflict, but also as progress and reconciliation.

This production of Charpentier’s Baroque opera is a marvel, thanks to meticulous research, top-notch performances and ingenious interpretation.

This Australian comedy about real estate and family falls flat after a promising start.

With its large cast, who are always on the move, this patchy production doesn't entirely lend itself to a filmed version with close-ups, as we miss some of the shenanigans.

Sydney Dance Company’s ninth annual season of new contemporary dance works is one of the most satisfying yet.

This exuberant, lo-fi production, adapted for the stage by Hilary Bell, with her father John Bell as Scrooge, is a delight.

Alison Whyte performs with three dancers in this theatre production where speech and dance set out to express human terror, courage and risk-taking.

A concert combining vibrant orchestral colour with thoughtful reflection, featuring an outstanding performance from Canadian violinist James Ehnes.

Going to Cockatoo Island is a fun part of the experience, but despite solid performances, the production doesn't entirely live up to the industrial setting.

Internationally renowned organist Joseph Nolan joins WASO for a blistering assault on music by Barber and Saint-Saëns, with Asher Fisch also leading a gorgeous account of Respighi's The Fountains of Rome.

Superb performances by two last-minute jump-ins, their fellow cast members, Sydney Philharmonia Choirs and the SSO under Simone Young make the most of Beethoven’s troubled piece.

This excellent orchestral program from Camerata offered two sublime works by Mozart in the final concert of its 2022 season.