Equations of a Falling Body is a fine addition to Laura Boynes’ evolving oeuvre and a promise of further gems to come.

Two terrific central performances in Gentlemen Prefer Blondes lift a production that mostly struggles to find its rhythm.

The internationally renowned soprano Siobhan Stagg returns home in triumph with a program of evocative art songs.

Director Rosetta Cucchi’s striking conception and a surprise role debut made Francesco Cilea’s Adriana Lecouvreur an unmissable theatrical event.

Australian Haydn Ensemble tracks the art of the fugue – from Bach to Haydn and beyond.

Guitar diva Karin Schaupp and four old friends bring us some old favourites and a stunning new Carl Vine work.

CAMP is a window on to a world many of its younger audience would find hard to recognise let alone accept.

Maeve Marsden's debut play Blessed Union is a scorchingly funny, deeply empathetic and politically attuned WorldPride must-see.

Choir Boy is a joyous celebration of vulnerability, a heartwarming reflection of how far we have come – and how far there is to go.

A middle-aged makeover and the casting of Jason Donovan has done wonders for Richard O’Brien’s Rocky Horror Show.

Queensland Symphony Orchestra’s opening concert for 2023 presented a bold mix of classical romanticism and First Nations works.

Simone Young and pianist Cédric Tiberghien's French connection works its magic on a balmy summer night.