Melissa Aldana and her New York quartet provide a relatively constrained performance, while the curtain-raiser by Jo Lawry and Dan Tepfer is full of brilliance.
This new musical, based on Shakespeare's Dream, is proof that Laura Murphy is a bit of a genius at writing musicals, even though the second act could do with more dramaturgy.
Featuring German violinist Jonas Zschenderlein, Bach’s Universe is a brilliantly conceived artifice, superbly executed and a magical foray into the imagination.
Dennis Kelly's play has been a hit globally, but it has a problematic script, which this MTC production has not been able to resolve.
The extraordinary Tallis Scholars return to Australia, bringing a glorious program of Renaissance music, composed for the Sistine Chapel.
Painstaking attention to detail by the family-run winery and exceptional musicianship make for an unmissable return to the festival after more than two years.
Braving the heat and humidity, the youthful orchestra together with guest soloist, cellist Roderick McGrath, give an exhilarating performance.
The oud master paints a powerful portrait of the horror and beauty of his divided homeland.
This refreshing take on the 1971 musical retains the show's exuberant, improvisational feel but gives it a more contemporary vibe.
The musicians meet the demands of Beethoven and the world premiere of Jack Symonds' challenging String Quartet No 2 with great vitality.
This excellent production serves as a reminder of the unsettlingly timeless qualities of Pinter's 1960 drama and of the singular comic genius of actor Darren Gilshenan.
Ash Flanders wrote and stars in this deeply personal and exceedingly droll play about himself, his formidable mother and getting old.
One of the finest violin concertos ever written and a melodic Dvořák symphony make for a splendid musical evening, led by conductor and violinist Guy Braunstein.
